This hyper masculine rock & roll dystopian, martial arts blood bath would probably serve you best as a double feature with The Story of Rikki-Oh (live action). Now that would be one hell of a date night. I mean it and wouldn’t lead you astray.
It’s been a fresh 24 hours since I saw Blade Runner 2049 at the iMAX theater in New York City. Probably the last film I’ll see in New York City for a very long time and thirty-five years since the masterpiece that is Ridley Scott’s
In my opinion the super-power of art house Horror films. Suspiria is the first of Dario Argento’s Three Mothers Trilogy (Suspiria, Inferno, The Mother of Tears); each film revolving around one of three ancient mothers, a trio of powerful negative witches that seek to wreck
Think I couldn’t get any more obscure with my picks. Just hold we’re going home. Back above ground and out of the spotlight. Here I am full time, riding the nostalgic wave of mutilation. I’m back with a bang and presenting this month’s Retro Movie
No Retreat No Surrender is a 1986 crossover movie from New World Pictures. I refer to the film as a crossover film because it is the US directorial debut of Corey Yuen (Ninja in the Dragon’s Den, Dance of the Drunk Mantis) and stars (in
Foreword: This review is being written from the deep underground in the bowels of Otto’s Taco’s east village. The coordinates have been erased and the directions crossed over with black markers…
Starring Chuck Norris, Karen Carlson and Lee Van Cleef. It was directed by Eric Karson and written by Paul Aaron and Leigh Chapman.
With Saint Patrick’s Day just around the corner and the cultural outrage over police brutality still a hot topic. This month’s RetroMovie will be William Lustig’s Maniac Cop.
Cruising is a 1980 American crime thriller film written and directed by William Friedkin (The Exorcist, French Connection,Sorceror) and starring Al Pacino, Paul Sorvino (Goodfellas), and Karen Allen (Raiders of the Lost Ark).
Biker gangs and linebackers don’t usually belong in the same sentence, outside of an obituary or police radio but, here is the only occasion the two blended together into a steroid pumping dude-fest.
Don’t let the hording meandering of acrylic keyboard social justice pounding tell you that “strong female protagonists are a rarity in cinema [whiny voice]”.
One of the greatest horror films ever made is Peter Jackson’s Dead Alive. Originally or alternately titled Brain Dead, this is Peter Jackson’s third film after BAD TASTE (1987) and Meet the Feebles (1989).