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Back in 1982, director Ridley Scott dropped the audience into the then-future world of 2019 Los Angeles. It’s a seedy environment of perpetual darkness, rain, and urban sprawl. In this sci-fi noir, the police bring Rick Deckard (Harrison Ford) back into work after a self-imposed

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Following up on his triumphant comeback that was Mainframe, Waveshaper has blessed us with what may well be the most ambitious and downright spectacular Retrowave music video of the year. NewRetroWave could not be prouder to bring you “The Phantom Machine”, an action-packed feast for the

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After some production delays because of Covid, we finally got our Sopranos prequel movie. The Many Saints of Newark is a 2021 American crime drama film directed by Alan Taylor and written by David Chase and Lawrence Konner. A prequel to Chase's HBO crime drama series

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Retro Movie Review: Splendor (1990) Greg Araki was a key contributor to the buzzing New Queer Cinema movement of the 1990s. Born in Los Angeles and raised within the Santa Barbara city limits, Araki after completing college with a MFA began his film journey with the

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This movie is painfully entertaining. The basic formula for cheesy 90’s cinema; if you didn’t see it in a matinee then you probably rented it from the local video store. Schlocky leftover clichés from the previous decade: firearms that sound like explosions, urban cowboy boots, duster

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Toronto pop/R&B superstar Abel Tesfaye is back with a new retro-infused single titled 'Take My Breath'. It's been a little over a year since The Weeknd released After Hours and its Synthwave megahits 'Blinding Lights' and 'In Your Eyes', and it looks like the Canadian artist is

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Naked Lunch is the live-action adaptation of the infamous William Burroughs 1959 novel of the same name, directed by David Cronenberg and distributed by 20 Century Fox. The book was banned in Boston in 1962 due to obscenity (notably child murder and acts of pedophilia), making

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In recent years, I’ve seen a small backlash against the character Ferris Bueller. One sometimes hears the trite, overused buzzwords such as “out-of-touch,” “entitled,” and “privileged." I remonstrate against this dismissive characterization of one of the most potent symbols of youthful exuberance and freedom. Both

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