Directed and written by Adam Brooks and Matthew Kennedy. This isn’t just any cookie cutout comedy slasher film because its equal parts an homage and parody of the entire Italian giallo genre.
I first became familiar with Musician/Composer Rich Vreeland AKA Disasterpeace after hearing his mystical and beautiful score for Nicolas Ménard’s 2013 short film, ‘Somewhere’. With a bunch of awesome game soundtracks already under his belt, including Fez and Bomberman Live: Battlefest, Vreeland’s latest musical adventure
It’s actually been quite a good year in terms of joint efforts in synth. I didn’t rank them on purpose as I felt they are quite different in terms of production approaches and general vibe.
Neo-noir is and has been back in its prime with both urban and rural settings, neon lights, lens flares, bad people doing bad things and dangerous women turning the gears in a f’d up amoral world of vice and anti-social behavior.
Listen up folks. Your ears will thank you in the multitudes!! Lost Memories EP by Trevor Something -NRW
To cap off a great year for retrowave music, I’ve compiled a list of ten amazing newcomers to the scene from 2014. While the artists near the top of this list are personal favorites, and some are more popular than others, this list isn’t meant to stratify them.
The Top 10 Album Artwork Covers of 2014 By Rhys Pearce 10. Le Cassette - Left to our own devices / Released on 10th July 2014 Artwork by Crystal Labs 'A real basic design here, but really effective. This kind of art was super popular during the 1980's and I
!RETRO LOVERS UNITE!! ENJOY!! NRW
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Hey Retrolovers, We all have speculated that the Synthwave sound has all the elements to make it into the mainstream. Many of you guys have shown STRONG dislike to this idea ever occurring. Look at the below evidence: The image of top 40 popstar Selena Gomez scared
NOT A BOARD THAT IS POWERED BY HYDRO-POWER OR A FAKE
Constellations by Dead Astronauts is a cool album. I wish that didn’t sound so clichéd. The release just exudes such a unique vibe and creates such dense atmosphere with what feels like little effort. It manages to skirt retro/synthwave clichés throughout, but subverts them in subtle ways to make