A lot has changed in synthwave since 2013, when Lazerhawk’s (until now now, last) album Skull and Shark came out. The genre has in many ways matured and a whole new generation of listeners and producers has joined the fray. Since then we've had the
A lot has changed in synthwave since 2013, when Lazerhawk’s (until now now, last) album Skull and Shark came out. The genre has in many ways matured and a whole new generation of listeners and producers has joined the fray. Since then we've had the
Is the increasing interest in all things retro a sign that we have become bored with the new gadgets and swag that our world is giving us?
So I keep asking myself, what can I actually write about the novel that would reveal as little as possible about its matter?
What are your thoughts on this track? Taken from the Dreamrider album.
I've been reading a lot lately about the video game developers who were active in Japan in the 1980s and early 90s, and I've learned some of interesting stuff. A lot of it has to do with these companies' origins and beginnings –
No ninja hero had truly set foot on American soil until Cannon films unleashed Sho Kosugi upon the skyscrapers of Salt Lake City with 1984's "Revenge of the Ninja."
From The incredible guys over at LOOK MISTER. This video is fully 360 functional and will blow the mind!!!! Eyes at the ready
After the financial disappointment of 2016’s World of Warcraft, it seems Duncan Jones will be returning to familiar territory with his upcoming straight to NETFLIX feature titled MUTE.
Biker gangs and linebackers don’t usually belong in the same sentence, outside of an obituary or police radio but, here is the only occasion the two blended together into a steroid pumping dude-fest.
In the years between 1989 and 1997, the earliest strong attempts at 3D “first person” games were being fired at the wall. As 1992-93 rolled on, this fire reached a machine-gun rate due to the success of Wolfenstein 3D and Doom. Even now,
(adsbygoogle = window.adsbygoogle || []).push({}); The first two pages of Grek Pak’s Big Trouble in Little China / Escape From New York #4 perfectly illustrate both why this comic series is a must read for anybody who even casually likes the source material and why Pak
Pride in one’s art is usually encouraged, but what if one’s art supported a cause or a thought process that’s no longer in favor or that has even become denigrated?