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Shin Masked Rider (2023)   Back from the ether and here on the nostalgia streets with another bundle of retro content to think back on. Currently streaming on Amazon Prime is the recent film by Hideaki Anno (Evangelion, Shin Ultraman, Shin Godzilla) and the newest live-action interpretation of

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Once every few years an album comes along that reminds me of why I started writing about music the first place. “Wavefinder” – the astounding collaboration between Sferro and Makeup and Vanity Set (MAVS), is definitely one such album. On the face of it, you wouldn’t

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In high spirits and high regards, I recommend this new film from the Mase Brothers. 2023's DRAGON COP is, in the words of it's creators, "A love letter to 80's/90's Hong Kong and U.S. martial arts movies". And it succeeds in doing so. I can't tell

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Makeup and Vanity Set and Sferro’s latest album “Wavefinder” is simply astounding. It drops today at 12pm ET / 9am PT over on Stratford Court Records. We’ll have a full review out later – but for the moment you’re just going to have to trust

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British singer/songwriter Ollie Wride announces his US solo debut at West Hollywood’s legendary Troubadour, having last sold out the venue as frontman with FM-84. He has penned some of synthwave’s most popular tracks including “Running in The Night”,  “Never Stop” and “Stranger Love”, while his

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In the four years that have gone by, something cold, alien and deadly has been frantically cutting through the fabric of reality. As the night grows ever darker a brutal, systematic rhythm can be heard coming from a distance. A sound of metallic heels colliding against black

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  Starring Matthew Modine (Dark Knight Rises, Full Metal Jacket, Stranger Things), Frank Jasper, Daphne Zuniga, Linda Florentino (Gotcha, Last Seduction), Michael Schoeffling (Sixteen Candles), Ronny Cox (Total Recall, Robocop). Directed by Harold Becker and released on February 15, 1985 earning a modest Box Office of

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Though media and technology have advanced, the themes that David Cronenberg chooses to focus on in his 1983 film Videodrome have not only remained relevant, but they seem more prescient. The director eyes the relations between humanity and the video world in the sci-fi body

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