Remember This…? Episode #4: The lost art of VHS or the ways analog has programmed my thinking patterns. It’s that time to Remember This… and continue the stroll down memory lane while examining the current theme loosely revolving around that wonderful black box you had in your
Ready to clean up the city. Relatively new to the scene, Street Cleaner is a dynamic and bold act from San Diego whose real name is Jesse Bishop. His newest full length album is "Payback," and is as gritty as he is. Listen to "Payback" on Soundcloud Fresh and strong,
Released internationally by Namco in November 1988, the arcade cult classic got attention (both positive and negative, though some say there is no bad press) for its over-the top themes of horror and gore.
YOUR EYES WILL BE AMAZED! LETS MAKE THIS GO VIRAL FOLKS!! FROM THE TIME WE RETWEETED THE LINK FRANK IRELAND (THE VIDEO CREATOR) TWEETED US, THIS VIDEO HAS GAINED OVER 50K VIEWS !!!!IN LESS THAN A WEEK!! !!
I know Halloween’s come and gone, but the horror continues! Once we started doing game reviews, Splatterhouse stood out in my sick little mind as one that needed to grace this website’s pages. Released internationally by Namco in November 1988, the arcade cult classic got attention (both positive and
HAPPY HALLOWEEN ENJOY!
The Wild Untold Story of Cannon Films (2014) If you have never seen a film from Cannon then you haven’t lived yet. The Cannon Group Inc. was famous for releasing classic films that your nephews and nieces and little siblings have never heard of especially from the Golan & Globus
NOT A BOARD THAT IS POWERED BY HYDRO-POWER OR A FAKE
Use the soundcloud playlist in this Italian Vice article to listen! Void Vision, I will admit, is somewhat of an enigma. I have been able to find out very little about the project, except that it is one girl and some synths. Apparently a few singles have been
Constellations by Dead Astronauts is a cool album. I wish that didn’t sound so clichéd. The release just exudes such a unique vibe and creates such dense atmosphere with what feels like little effort. It manages to skirt retro/synthwave clichés throughout, but subverts them in subtle ways to make