After two long years in the works, the Los Angeles based duo The Midnight is back with their sophomore album, "Endless Summer."
(adsbygoogle = window.adsbygoogle || []).push({}); For an artist with near-complete anonymity, Trevor Something is able to generate a substantial amount of hype. Between his recent internet activity leading up to the release of Soulless Computer Boy and the Eternal
Dark, heavy and epic are the first three words that come to mind when one first experi-ences the music of darkwave project Technophobia.
You’ve worked professionally in sound design and music for a long time, when did you realize you wanted produce music? I started out playing bass in a rock band when I was a kid. And I have always been playing in bands. In 2006/2007 I started composing
(adsbygoogle = window.adsbygoogle || []).push({}); It's hard to believe that it's been over two years since Timecop1983 released Journeys, a true classic of the genre. Since then, the Netherlands native has been busy, releasing a stellar EP and a
"Furi" is an expertly crafted, mostly top-down hack n' slash platform shooter similar in style to Hotline: Miami mashed together with Contra – except it features only a string of epic face burning boss battles.
Waveshaper takes the audience on a magical ride and delivers a solid performance at the "Furi Concert".
You will know within the first 20 seconds of "Gravity", the opening track of Jamatar's Spacesounds is an EP that you will love or skip. It straddles the line between being a heavily chiptune-influenced synthwave album and a heavily synthwave influenced chiptune album.
Code Elektro is back with his sophomore album, “WOLF”. This highly anticipated release is a largely down-tempo, ethereal concept album inspired by cyberpunk style science fiction and the Scandinavian countryside.
A few months ago, while on the phone with T.S., the founder of NRW, I was talking about certain trends in avant-garde styles of pop developing in London, and how it would be interesting to see these aggressively experimental musical choices manifest in
Stevie Ray Vaughan was considered as one of the key contributors in the 1980s blues revival. His legacy lives on up to this day after that unforgettable era spanning his controversial performance at the Montreux Jazz Festival in 1982 and the release
Steering clear from some of the obvious clichés that would turn the project into a mere parody or pale imitation, MaVS’s score constitutes the real backbone to the films action and atmosphere all the while delivering a terrific standalone release expanding upon the films’ universe.