In an age where modern electronic music sees itself conducted by the click of a mouse (even amongst its most “old-school”-leaning producers), Austin’s Synth music scene serves as a welcome and refreshing change.
Since having proven their potential and durability, the question amongst North American Synthwave fans has not so much been whether or not the French figureheads would someday reach the US venues, but rather WHEN that time would come.
Like lightning the Ickerman name has struck for the second time this year with the announcement of its newest project, a 30 minute film sequel to Turbo Killer titled Blood Machines whose pitch has every reason to jumpstart our upcoming year on a hopeful and
Having teased us as early as 2013 with the launch of a cryptic promotional website, Detroit-based electronic music producer Klayton is finally putting our wait to an end with the release of Scandroid’s self-titled debut album.
Steering clear from some of the obvious clichés that would turn the project into a mere parody or pale imitation, MaVS’s score constitutes the real backbone to the films action and atmosphere all the while delivering a terrific standalone release expanding upon the films’ universe.