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Australia, meet Phaserland (Interview)

Australian retroheads brace yourselves! It’s time to clip on your fluorescent fanny packs and dig up your flashy neon windbreakers, for you’ve got some funky synth waves washing over your sunny shores this November.

Australian retroheads brace yourselves! It’s time to clip on your fluorescent fanny packs and dig up your flashy neon windbreakers, for you’ve got some funky synth waves washing over your sunny shores this November. Ross Trinkhaus, better known as Phaserland from Detroit, will be making a trip to Australia, hitting venues in Perth, Sydney and Melbourne on his mission to preach the synth Gospel to fans across the country. His arsenal? Twinkling, glossy 80s’ pop sounds set to funky beats and ripper guitar licks. Fans, it’s time to lace your dancing shoes on tight. For those unfamiliar, fear not! We at NewRetroWave have got you covered. We caught up with Phaserland for a formal introduction to get you up to speed with the man behind the music, in time to catch up with his upcoming dates as well as his upcoming EP release.


First off, let’s talk about your musical background. What music did you grow up listening to? 

When I was really little, my dad used to put on Middle English Folk music and John Coltrane, but after I picked up the guitar I got really drawn into bands like Rush, Depeche mode, Led Zeppelin, Queen, Various Hair Bands and YES.  Also That Mall jam scene in the movie Vice-Versa changed my life


What first got you interested in Synthwave? 

After playing in Rock bands my whole life, I decided to start a music project I could create entirely on my own. In 2013 I learned how to use Addictive Drums, and I started to experiment with the “Reel Machines” plug-in. I was hooked with the modern 80s tones I could get from the Simmons and Linn drum kits.  Simultaneously I stumbled upon Tesla Boy’s track ‘Spirit of the night’ and Mitch Murder’s Glass Cities EP.  From there, I was able to follow the SoundCloud rabbit hole.  Those two first artists lit a fire to pursue the Genre, and I never looked back since. I figured I could use my band background to form complete songs with all the instruments I always heard in my head.  No band member could tell me something sounded too 80s!  It was, and still is refreshing 


What is it that first drew you towards a retro-themed aesthetic as opposed to a more modern strain of electronic/synth music? 

All in all, I would say it would have to be the melodies and instruments of the retro era that pull me in. The 80s had some really talented cats playing everywhere. Melody is one of the most important aspect of music for me so I naturally lean towards a decade that embraced that polished layered tone. Newer electronic music is still great, but I feel the emphasis is more on heavy rhythms and build ups for dancing. I was just out at a club in Detroit this weekend, and I was appreciating all the LOW bass and build ups. I can see the appeal of the physical response, but I don’t feel the heart and cerebral resonance like I do with Synthwave and retro themed music.  Now… For my live shows, if you can combine the two, even better

You’re currently preparing for an Australian Tour. What can you tell us about your relationship with Australia and the Australian music scene?  

It’s all so new!  I have been friends with the great Marko Maric who ran the Synthetix Sunday podcast for years, and I have been Sharing music and chatting with the likes of Rick Shithouse, Dream Fiend, Killstar, Ben Businovski, and other great Australian Acts.  I look forward to playing with Ben in Perth, as well as Kopano, Eddie Electric, Indighost, Marko and Amnesia. In Melbourne I get to share the stage with Fellow Rosso Corsa member Jordan F, as well as Vast Hill. Those 2 tag along with me to Sydney, as well as Tessel and Emulate.  So much great music to look forward too


What have you been into lately, music-wise and gear-wise?

I have been really digging my new Komplete Kontrol S49.  It’s a midi Keyboard with real time parameter knobs that make it easier than ever to change filters and Arps on the fly.  It has this crazy one note setting for delicious 7th and 9th chords that can really inspire. For my listening pleasure, I have been listening to some fabulous late 70s/ early 80s library music from Bruton. Those session musicians were throwing out some serious creative rainbow juice… and Getting paid!  


What is next after this tour? When can we expect more music under the Phaserland name? 

I will be having a track on the HBO series Vice Principals this October and I am almost done with a brand new EP.  I plan to debut new material live in Australia first, then the new EP Flip the Switch will drop sometime in late November or early December.  I have also partnered with a local Barcade in the city to set up a reoccurring  live act every month or 2.  That is going to be fantastic and full of surprises.  I also have been working with a local female vocalist as well.  Oh yeah, also a Music Video is on the way!

Name one of your favourite and least favourite things about the 80s’.

The general sense of optimism, all the beautiful hand drawn cartoons for kids, all the fun makeup and special efx in movies, MUSIC obviously, and the fashions.

Least fav – the AIDS epidemic 


Describe your dream musical project.

Honestly, the fact that I can keep making Art, and have fans around the world listen with support is a dream to me.  Also If I had a track with Mitch Murder that would be pretty sweet too!


Finishing off with my trademark closing question: name one of your favorite albums, movies and books.  

This is HARD. Ok. Pat Metheny’s White album from 77′,  Blade runner (Overboard a close 2nd) and 1984 by George Orwell


Be sure to catch Phaserland on his Australian dates (Nov 11 – Perth, Tetsuo NC; Nov 16 – Sydney, Factory Theatre; Nov 17 – Melbourne, Rubix Warehouse), and keep an eye out for his upcoming EP Flip the Switch (due for a late November/ early December release).


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