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	<title>superman &#8211; NewRetroWave &#8211; Stay Retro! | Live The 80&#039;s Dream!</title>
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		<title>This Month In Retro: September 1980</title>
		<link>https://newretrowave.com/2015/09/25/this-month-in-retro-september-1980/</link>
					<comments>https://newretrowave.com/2015/09/25/this-month-in-retro-september-1980/#respond</comments>
		
		<dc:creator><![CDATA[Joey Edsall]]></dc:creator>
		<pubDate>Fri, 25 Sep 2015 02:38:21 +0000</pubDate>
				<category><![CDATA[Retro Movie Reviews]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[1980]]></category>
		<category><![CDATA[batman]]></category>
		<category><![CDATA[comic books]]></category>
		<category><![CDATA[lex luthor]]></category>
		<category><![CDATA[noir]]></category>
		<category><![CDATA[nostalgia]]></category>
		<category><![CDATA[phobia]]></category>
		<category><![CDATA[september]]></category>
		<category><![CDATA[superman]]></category>
		<category><![CDATA[this month in retro]]></category>
		<category><![CDATA[tom hanks]]></category>
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					<description><![CDATA[This Month In Retro is a monthly article where we look back on the current month as it happened during the 1980&#8217;s.  Learn, reminisce, and stay retro. In film: The mostly forgettable, though enjoyable, Phobia premiered in theaters. It stars the guy that played Starsky [&#8230;]]]></description>
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<![endif]--><!--StartFragment-->This Month In Retro is a monthly article where we look back on the current month as it happened during the 1980&#8217;s.  Learn, reminisce, and stay retro.</p>
<p><strong>In film:</strong></p>
<p>The mostly forgettable, though enjoyable, <em>Phobia </em>premiered in theaters. It stars the guy that played Starsky in <em>Starsky and Hutch</em> and was directed by John Huston. Time for a bold statement: <strong>John Huston is responsible for film noir as we understand it today</strong>. Decades earlier he made <em>The Maltese Falcon </em>and <em>The Asphalt Jungle</em>, as well as the not noir though still excellent <em>The African Queen</em>. Noir may have originated much earlier than the 80&#8217;s, but it winds up having an influence on 80&#8217;s film in a lot of surprising little ways throughout the decade. There&#8217;s a good reason that most movies with a predominately synthwave soundtrack have noticeable noir influences.</p>
<p><em> </em>Ever hear of Tom Hanks? He made his feature film debut in (of all things) a slasher flick called <em>He Knows Your Alone</em>. And though I want so badly for this to be a Santa Claus themed slasher film (and therefor the second Santa Claus themed slasher film of 1980), it is simply a <em>Halloween­­</em>-inspired without much worth note. Tom Hanks will of course pop up in films throughout the 80&#8217;s, but they tend to have more whimsy than this one.</p>
<p><strong>In music:</strong></p>
<p><em>Solid Gold </em>premiered with host Dionne Warwick. This show, which ran for much of the decade, had a very 70&#8217;s-esque aesthetic at times. And then the hair of just about every dancer reminds you how 80&#8217;s it truly was.  <em>Solid Gold</em> has reached an interesting point of reference in pop culture where it is recognized in parody by more people than have probably ever seen the show.</p>
<p>The Dead Kennedys made their debut with <em>Fresh Fruit for Rotting Vegetables</em>, a blistering punk album clocking in at just above 30 minutes. This album established everything that the band would come to represent: sardonic lyrics that combined radical political thought with a youthful charisma. It&#8217;s what makes songs like &#8220;Holiday in Cambodia&#8221; powerful when thought about and wicked fun when moshed to.</p>
<p>Billboard #1 Song of September 1980: &#8220;<a href="https://www.youtube.com/watch?v=LtaLI74XFtU" target="_blank" rel="noopener">Upside Down</a>&#8221; by Diana Ross, which I definitely want a vaporwave version of now. Please and thank you!</p>
<p><strong>In comic books:</strong></p>
<p>In the realm of DC comics, Lex Luthor deactivates all nuclear weapons on earth, repairs the ozone layer, and helps Superman fight some aliens. Seriously. That&#8217;s pretty much more overall good than any superhero has accomplished. Don&#8217;t worry though, this Good Guy Lex thing is temporary. In a separate comic, Batman winds up severely drugged and is being seriousy psychologically broken down by Professor Milo. This issue has some pretty stellar cover art.</p>
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			</item>
		<item>
		<title>Comic Books in the 80&#8217;s &#8211; An Overview</title>
		<link>https://newretrowave.com/2015/04/26/comic-books-in-the-80s-an-overview/</link>
					<comments>https://newretrowave.com/2015/04/26/comic-books-in-the-80s-an-overview/#respond</comments>
		
		<dc:creator><![CDATA[Joey Edsall]]></dc:creator>
		<pubDate>Sun, 26 Apr 2015 19:48:43 +0000</pubDate>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Retrowave Artwork]]></category>
		<category><![CDATA[bronze age of comic books]]></category>
		<category><![CDATA[comic books]]></category>
		<category><![CDATA[crisis on infinite earths]]></category>
		<category><![CDATA[DC]]></category>
		<category><![CDATA[golden age of comic books]]></category>
		<category><![CDATA[heroes]]></category>
		<category><![CDATA[Marvel]]></category>
		<category><![CDATA[modern age of comic books]]></category>
		<category><![CDATA[spiderman]]></category>
		<category><![CDATA[superheroes]]></category>
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		<category><![CDATA[watchmen]]></category>
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		<guid isPermaLink="false">http://new-retro-wave.com/2015/04/26/2015426comic-books-in-the-80s-an-overview/</guid>

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<![endif]--><!--StartFragment-->Mainstream American comics have gone through several loosely defined eras. One of the most widely discussed and recognized is the <a target="_blank" href="http://www.pbs.org/opb/historydetectives/feature/the-golden-age-of-comics/">Golden Age of Comic Books</a>&nbsp;(1935 – 1955, roughly), when the superheroes Superman and Batman made their premier. One of the aspects of 1980&#8217;s comics that is very interesting is the fact that the decade marks a transition from one era into another. The first of these periods is known as the Bronze Age of Comic Books, while the second is the Modern Age of Comic Books.</p>
<p>The most immediately noticeable aspect of the Bronze Age is the proliferation of traditional superheroes introduced decades before. The recently revived <em>X-Men </em>were extremely popular, as were <em>The Hulk</em>, <em>Green Lantern</em>, and <em>The Amazing Spider-Man </em>(coming off of the extremely successful and famous arc of <a target="_blank" href="http://marvel.wikia.com/The_Night_Gwen_Stacy_Died">Gwen Stacy&#8217;s death</a>). Other comic characters / heroes that were financially a failure in the past were revived to much greater success. In addition to the aforementioned <em>X-Men,</em> <em>The New Teen Titans</em> were a large success at the end of 1980. &nbsp;A number of Bronze Age heroes began to suffer from serious real world emotional issues. Grief due to the loss of a loved one was most common, but suffering from abuse and <a target="_blank" href="http://en.wikipedia.org/wiki/Roy_Harper_(comics)">drug addition</a> became ailments of a few superheroes of the time.</p>
<p>As the <a target="_blank" href="https://newretrowave.com/our-team/">Graphic Novel Editor of NewRetroWave</a>, I&#8217;m going to be covering comics from a variety of countries and publishers. That being said, the trends of comics largely concerns Marvel and DC, the Fender and Gibson of the comic book world. The majority of the 1980&#8217;s&nbsp; saw Marvel as the more successful of the two. Following the success of the <em>Superman</em> film franchise, DC began running more stories each month with more pages and a higher retail price. The results of that business move crippled DC comics and allowed Marvel to see the success that they did. In 1984, toward the end of the Bronze Age, Marvel released the immensely popular <em>Secret Wars</em>. This spawned a trend of epic events in comic book continuities that we still see today (<em><a target="_blank" href="http://en.wikipedia.org/wiki/Civil_War_(comics)">Civil War</a>, </em>anyone?) In 1985, DC began reviving their brand with the extremely well received <em>Crisis on Infinite Earths</em>, which continued the trend started by Marvel and simplified the overly convoluted multiverse that DC had created. The twelve issue run helped bring DC back to the forefront of the comic book world.</p>
<p>The ending of the Bronze Age is amorphous and debatable, but several events are widely considered to be the catalyst for the shift to the Modern Age of Comic Books. 1986 saw the publication of Frank Miller&#8217;s <em>The Dark Knight Returns</em>. I don&#8217;t want to get into too much detail about that masterpiece, as it will definitely come up again in a more dedicated article. The grim tone of that miniseries has affected the depiction of Batman ever since, barring a few <a target="_blank" href="https://www.youtube.com/watch?v=3M8FC7uZj3M">unspeakable exceptions</a>. Alan Moore (arguably the most famous comic book writer) also delivered a 1-2 punch of comics at the end of the Bronze Age. The first was <em>Superman: Whatever Happened to the Man of Tomorrow?</em>, a story that recaps the life and tragedies of Superman, with an aesthetic reminiscent of the idealism held by the Silver Age. This is in direct contrast to the almost oppressively pessimistic and cynical <em>Watchmen </em>story that Moore would release the following year. You will also see both of these stories appear in future articles.</p>
<div style="width: 235px" class="wp-caption alignnone"><img decoding="async" src="http://static1.squarespace.com/static/5411df7ee4b01dce1367679d/5419be9ee4b0e7cbdd84a2c6/553d4e7de4b0e618515ffd34/1430081153920//img.png" alt="The face of modern comic books"/><p class="wp-caption-text">The face of modern comic books</p></div>
<p>Moore and Miller&#8217;s influence is the root of the Modern Age of Comic Books. Post-modern deconstructions of superhero tropes and playing with the medium became the new norm as modern superheroes had to contend with real world implications of their powers. The days of escapism are long gone. Fantasy elements in comics made a return with characters like John Constantine, Swamp Thing, and Neil Gaiman&#8217;s Sandman. Antiheroes became the standard of superhero as morally ambiguous characters flooded the market. This is something we still see in modern superhero films. How often does the word &#8220;gritty&#8221; pop up when describing a modern superhero movie?</p>
<p>I will be going over individual comics / graphic novels in detail soon, starting with <em>Hellblazer</em>. What are some comics you would be interested in reading about? Let us know in the comments!</p>
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