In film:

Xanadu was released. Interestingly enough, the soundtrack of the film performed much better commercially than the movie itself. Which is surprising considering it’s a film about a Greek muse taking human form and building a roller rink. The only premise nearly that good since then has been Rubber.

Births: Chris Pine, aka the James T. Kirk who isn’t Shatner. Macaulay Culkin, famous for being that blonde kid from every movie in the 90’s.

In music:

The first ever Monsters of Rock festival is held in England. Notable performers at the festival include Rainbow, April Wine, Scorpions, and Judas Priest.

The Heatwave festival was held at Bowmanville, Ontario. Out of every festival I’ve ever read about, including Woodstock, Heatwave is the one I most wish I could have attended. The list of bands was just insane: The Pretenders, the B-52’s, Talking Heads, and Elvis Costello. The Clash was scheduled to perform at the festival but cancelled at the last minute.

In addition to that amazing festival, four albums that would be important to the emerging New Wave music scene were released. Siouxie and the Banshees released Kaleidoscope. The Cars released Panorama. The B-52’s  released Wild Planet. Finally, Killing Joke debuted with their self-titled album.

Births: Vanessa Carlton, anybody who says they don’t love “A Thousand Miles” is a liar.

Billboard #1 Song of August 1980: “Magic” by Olivia Newton-John

In comics:

Marvel – Former villain Mesmero decides to give up crime, instead focusing on his love of Broadway productions. He offers Spider-man a large sum of money to make appearances in his play, but Spidey declines. Mesmero ends up using his powers of hypnosis on a harsh critic who Peter Parker has to save, lest the tragedy that befell Gwen Stacy repeats itself.

DC – Dr. Alchemy attempts to use the Philosopher’s Stone to turn the Flash into a cloud. Yep. That’s the best use he can come up with.  Green Arrow decides to resign from the Justice League. Bummer. He does manage to save the day first, despite not using what is clearly the most logical arrow to use.

In television:

The soap opera Texas premiered. Though it only lasted two years, it managed to have over 600 episodes.

Deaths: Tex Avery, creator of Bugs Bunny and Daffy Duck, dies at age 72.

In lieu of the July 1980 article, here are some quick facts about it:

1.     Bjorn Borg beat John McEnroe in tennis. Here’s a fun fact- Bjorn Borg was the basis of the character Richie Tenenbaum in Wes Anderson’s The Royal Tenenbaums.

2.      Ronald Reagan received the nomination to be the Republican candidate for President. Due to a large amount of influence from Christian political groups, the Republican Party dropped its support of the Equal Rights Amendment. This marked the beginning of a general shift towards conservative policies in America.

3.     The Summer Olympics are held in Moscow, Russia.

4.     AC/DC release Back in Black, the second highest selling album of all time. Also, how did I not know until now that AC/DC is an Australian band?

5.     Caddyshack premiers in theaters.

The most immediately noticeable aspect of the Bronze Age is the proliferation of traditional superheroes introduced decades before. The recently revived X-Men were extremely popular, as were The Hulk, Green Lantern, and The Amazing Spider-Man (coming off of the extremely successful and famous arc of Gwen Stacy’s death). Other comic characters / heroes that were financially a failure in the past were revived to much greater success. In addition to the aforementioned X-Men, The New Teen Titans were a large success at the end of 1980.  A number of Bronze Age heroes began to suffer from serious real world emotional issues. Grief due to the loss of a loved one was most common, but suffering from abuse and drug addition became ailments of a few superheroes of the time.

As the Graphic Novel Editor of NewRetroWave, I’m going to be covering comics from a variety of countries and publishers. That being said, the trends of comics largely concerns Marvel and DC, the Fender and Gibson of the comic book world. The majority of the 1980’s  saw Marvel as the more successful of the two. Following the success of the Superman film franchise, DC began running more stories each month with more pages and a higher retail price. The results of that business move crippled DC comics and allowed Marvel to see the success that they did. In 1984, toward the end of the Bronze Age, Marvel released the immensely popular Secret Wars. This spawned a trend of epic events in comic book continuities that we still see today (Civil War, anyone?) In 1985, DC began reviving their brand with the extremely well received Crisis on Infinite Earths, which continued the trend started by Marvel and simplified the overly convoluted multiverse that DC had created. The twelve issue run helped bring DC back to the forefront of the comic book world.

The ending of the Bronze Age is amorphous and debatable, but several events are widely considered to be the catalyst for the shift to the Modern Age of Comic Books. 1986 saw the publication of Frank Miller’s The Dark Knight Returns. I don’t want to get into too much detail about that masterpiece, as it will definitely come up again in a more dedicated article. The grim tone of that miniseries has affected the depiction of Batman ever since, barring a few unspeakable exceptions. Alan Moore (arguably the most famous comic book writer) also delivered a 1-2 punch of comics at the end of the Bronze Age. The first was Superman: Whatever Happened to the Man of Tomorrow?, a story that recaps the life and tragedies of Superman, with an aesthetic reminiscent of the idealism held by the Silver Age. This is in direct contrast to the almost oppressively pessimistic and cynical Watchmen story that Moore would release the following year. You will also see both of these stories appear in future articles.

The face of modern comic books

Moore and Miller’s influence is the root of the Modern Age of Comic Books. Post-modern deconstructions of superhero tropes and playing with the medium became the new norm as modern superheroes had to contend with real world implications of their powers. The days of escapism are long gone. Fantasy elements in comics made a return with characters like John Constantine, Swamp Thing, and Neil Gaiman’s Sandman. Antiheroes became the standard of superhero as morally ambiguous characters flooded the market. This is something we still see in modern superhero films. How often does the word “gritty” pop up when describing a modern superhero movie?

I will be going over individual comics / graphic novels in detail soon, starting with Hellblazer. What are some comics you would be interested in reading about? Let us know in the comments!