10. Occams Laser – Halls of the Damned

9. Starfarer – Highrider

8. Burial Grid – Caput Mortuum

7. Acryl Madness – Kill _Em All

6. Microchip terror – Circuitry of Doom

5. Hollywood burns – Abomination from Planet X

4. Perturbator – Death of the Soul

3. Sierra X Matteo Tura – Inner Speech

2. Abstract Void – Forward to the Past

1. Gost – Bound by the Horror

10. Dynatron – Origins

9. Hollywood Burns – Saturday Night Screamer

8. Eagle Eyed Tiger – Untether, Unravel

7. Starcadian – Culture

6. Waveshaper – Client

5. Gost – A fleeting Whisper

4. Kavinsky – Renegade

3. Quixotic – Highway violence

2. Sierra – All about love

1. Waveshaper – The Phantom Machine

Honorable Mentions

• Perturbator – Death of the Soul

• Danger – Haven Virtual concert

• LAU – True

Overnight, a grand drama has developed in the synth scene. The darksynth / electro producer CYBERTHING! was scrolling through Spotify to discover new music, when instead discovered the remnants of a digital heist! The alleged thief in this case had not stolen credit card numbers or bitcoin – but rather, music. Darksynth and cyberpunk to be exact – as well as album art.

It looks like the alleged thief manipulated the tracks so the Automatic Content ID system didn’t catch them. Cyberpunk indeed!

But this isn’t just a story of alleged theft – it’s also a story about how the larger synthwave community came together to identify the stolen tracks, notify the artists, and hunt down the perpetrator!

The Find

“I was just looking for new music.  I’m always looking for some new unnamed artists who can do something interesting….

So I found this guy’s ‘album’ and the first track was awesome (of course it was, cause it was Street Cleaner – Vultures) but I didn’t understand it right away, since the track was a little pitched down and sounded a lil different. But the second track was Perturbator lol. So I started to Shazam the tracks and made this Tweet after that.” – CYBERTHING!

The alleged perpetrator of this heist appears to be one “Electromedison.” They may also go by “DO.RE.MI.XX Production Story,” and/or “Cybershot.” It appears many of these albums and tracks have been up under false names for almost a year. 

We reached out to Electromedison for a comment, but at the time of this writing, we have had no response. 

Editors Note: We will not link to these “releases,” and we strongly discourage you from seeking out these releases too, as we do not want to give this alleged thief any money from streaming!

If you are a darksynth/cyberpunk artist and you’re worried your music may have been stolen, the unidentified tracks are listed at the bottom of this article, and most of the albums in question can be found on Electromedison’s Soundcloud, and they do not appear to be monetized there.

The Search Begins

Upon finding these maliciously uploaded tracks, CYBERTHING! spread the word on social media, tagging every artist who’s work he could identify. News spread like wildfire, and soon the fine folks over in Nightride FM’s discord channel had begun the hunt, finding and notifying many of the artists who had their work stolen. Eventually, DEADLIFE compiled and tweeted a list of the stolen tracks and the original artists the awesome Nightride FM community could identify.

Dozens of darksynth and cyberpunk artists and their labels are affected, including:

• Street Cleaner
•  Perturbator
•  MADES
•  Chaos Vector
•  Jack Maniak
•  Anacrhonist
•  Pomidor
•  Hexenkraft
•  Dreddd
•  Tokyo Rose
•  Graveslayer
•  Midnight Danger
•  Irving Force
•  Daniel Deluxe
•  Knightbots
•  Alex
•  Neon Nox
•  Nightcrawler
•  Tonebox
•  Compilerbau
•  Kick Puncher
•  Lazerpunk
•  VHS Glitch
•  Darkshine
•  F.O.O.L
•  Coderpunk
•  Sandman

In fact, it seems every single track from these releases was allegedly stolen, though there are still unidentified tracks.
(See the full list of stolen tracks below.)

It also appears the album art was also stolen, with one of them being identified as Steven Holliday’s Creepshow anniversary poster.

A number of artists also confided in me they believe they have found the original perpetrator, but we will not provide real names here, as we aren’t in the business of witch hunts. However, a friend-of-a-friend reached out to the person in question – and this was his response:

The Mystery Deepens

Haven’t heard of Electromedison? Us either – in fact, no one really has. This “artist” has zero social profiles. In spite of this, the pirated tracks have been spread all around the net: they’re on Spotify, Shazam, Itunes, Amazon, Beatport, TikTok, – you name it.

That’s actually why I’m writing this article – so artists who are affected can find their tracks and be sure to report them on their respective services. I can’t imagine anything worse than losing fans because Shazam took you to an imposter’s tracks.

There’s only one way that so many different platforms could fall prey to this scheme: a music distribution service.

In this case, it seems that the distro service in question is FreshTunes, though there could have been other services involved as well.

We want to give everyone the benefit of the doubt, and to their credit, FreshTunes clearly states in their Terms of Service that copyright-infringing material is not acceptable on their platform – and the content is currently being taken down – so this does seem like the actions of one rogue actor, and not FreshTunes. It has also been less than 24 hours since the initial complaints were made too – that’s a pretty quick turnaround time for takedowns – though the music in question is still available in several places.

We reached out to FreshTunes for a comment, but at the time of this writing, we have had no response.

List of Stolen Darksynth/Cyberpunk Tracks:

Big shout-out to DEADLIFE and the fine detectives of the Nightride FM discord who helped track down many of the stolen tracks below!

Album: Electromedison – Taste of Blood (Album Art: Steven Holliday’s Creepshow anniversary poster.)

• The Laughter Of Fear (Actually Street Cleaner – Vultures)
• M.Z.18 (Actually Perturbator – Neo Tokyo)
• The Smell Of Death (Actually MADES – Awakening (Knightbots Remix)
• Drownedman  Actually (Chaos Vector – Hellhound)
• Taste Of Blood (Actually Jack Maniak – Code 403)
• Rise Of The Machines (Unknown)
• Paranoia (Unknown)
• Alloy (Unknown)
• Dark Task (Unknown)
• Mf Lost (Actually Anachronist – Somnolence)
• Last Sunday (Unknown)

Album: Electromedison – Cyberpunk

• Hunting For A Virus  (Actually Pomidor – Space Lullaby)
• Blackweb (Actually Hexenkraft – A Flame In The Void)
• Brain Error (Actually Dreddd – Omega Beam)
• Overcharge (Unknown)
• Cyberpunk (Actually Graveslayer – Hyper Alloy)
• Timekiller (Actually Tokyo Rose – Armageddon)
• Chasing A Flash Card (Actually Midnight Danger – System Outage)
• Digital Reality (Unknown)
• Infecting All Of Humanity (Unknown)
• Cyberwitchcraft (Actually Irving Force – Overlord (Original Mix)
• Hackers Symphony (Actually Daniel Deluxe – Kindred)

Album: Electromedison – Killer’s Day

• Killers Day(Unknown)
• Murder At A Bus Stop (Actually Daniel Deluxe – Brute Force)
• Wheezing (Actually Alex – Dystopia)
• Strangers Night Call (Actually Neon Nox – Streetwalker)
• Scramble (Actually Tokyo Rose – Armageddon)
• Escape(Unknown)
• A Terrible Dream(Unknown)
• Wrong Turn(Unknown)
• Someone Else’s Script(Unknown)
• Theres A Knife In The Mirror(Unknown)
• Blood With Oxygen(Unknown)
• On The Chain(Unknown)
• Facing My Demons(Unknown)
• Moon Is Hiding(Unknown)

Album: (As Cybershot) – Mechanism Of Action

• No Weapons (Unknown)
• War Z (Actually Nightcrawler – Blood Rage)
• Explosion (Actually Daniel Deluxe – Instruments Of Retribution)
• Fear In The Eyes (Actually Tonebox – Implosion)
• Graveyard Of Cars (Actually Perturbator – Creature)
• Rough (Unknown)
• Mechanism Of Action (Actually Compilerbau – Dark Forces)
• Rise Of The Tomb (Actually Kick Puncher – Red Herring – Night Ritual)
• Werewolf (Actually Lazerpunk – Power / Raydar – The Gathering)
• Cold Night (Actually VHS Glitch – Jaw Breaker)
• Cipher (Actually Darkshine – When Darkness Is Shining)

Album Electromedison – Hacker

• Cyberpunk 2077(Actually Coderpunk – Battle Of Robots (Radio Edit)
• Hacking The System (Actually F.O.O.L – Sahara)
• Hacker  (Unknown)
• Reboot 3 2 1 (Unknown)
• Cyberhunt (Actually Perturbator – Death Squad)
• Ufo (Unknown)
• We Were Declassified (Actually Coderpunk – We Were Declassified (Vinyl Version)
• The Hacker Returns (Actually Sandman – Ignite)

“Death of the Soul” is a fantastic mix of darksynth and EBM, a perfect match made in depths of hell. In typical Perturbator fashion, the track is perfectly mixed and polished. It’s driving EBM rhythm is accompanied by some truly bleak synth melodies and haunting some haunting backup vocals that together make for a devilishly delightful listening experience. It is also perhaps one of the most dancefloor ready tracks Perturbator has released in recent memory – although watchful fans may have already heard a sneak peek of “Excess,” another single from “Lustful Sacraments” on his soundcloud page two years ago.

James Kent, aka Perturbator related in a brief interview with Revolver that “The track takes inspiration from old-school EBM à la DAF or Front 242,” Kent tells us of the song. “Valnoir  has managed to perfectly pair visuals that reflect the nihilistic tone of it.”

Lustful Sacraments

“Lustful Sacraments” will be Perturbator’s fifth full-length studio album.  It comes after years of waiting – his last full length “The Uncanny Valley” released way back in 2016.  Like most of you, we’re very excited to hear the rest of this album, which officially drops May 28th via Blood Music.

In the same article, Kent also explained the new album is “…about bad habits, dissatisfaction and addiction. An overall look at how we, as a species, lean towards self-destruction.” Beautiful.

Grab a listen to the track below and grab those albums quick before they’re gone! They’re only limited to a few hundred copies all together.

Preorders here if you’re in the US, and here if you’re in the EU.

Track List from “Lustful Sacraments”
1. Reaching Xanadu
2. Lustful Sacraments
3. Excess
4. Secret Devotion (ft. True Body)
5. Death of the Soul
6. The Other Place
7. Dethroned Under a Funeral Haze
8. Messalina, Messalina
9. God Says (ft. Hangman’s Chair)

Support and buy the album: https://perturbator.bandcamp.com

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See, this wasn’t just any random show; it featured 3 of my absolute favorite artists in the genre; Perturbator, GosT, and Dan Terminus. Once the tour was announced, I knew I needed to make this pilgrimage. I knew it would be fulfilling, crazy, inspiring, and generally wonderful for my well-being and artistic pleasure. The decision to attend this tour was simple (one could say the decision was made for me), so it was just a matter of figuring out which city I wanted to visit. Vienna worked perfectly well for me since I had visited over 15 years ago and had always wanted to return.

Once everything was booked (the easy part), I just had to wait. But quickly on I thought to myself, “If I am going all the way over there to see this tour, I should make some sort of project around this.” Musical writing and covering shows is something I did before, so I decided I’d write about this in some shape or form. So I reached out to New Retro Wave about the opportunity, and began by interviewing GosT and Dan Terminus. I had the pleasure of spending over an hour on Skype with GosT discussing everything from inspirations, past show experiences (which just made me giddy with excitement and anticipation for this one!) and even awful 90’s metal fashion like Jncos (and their apparent resurgence).

Friday, March 25th. I arrive in Vienna after a night of very little sleep on my flight over from NYC. My day is a game of coffee drinking and tricks to play on myself to keep from falling asleep, but it turns out the general excitement of my journey makes it moot; too much energy! Before traveling I had befriended an Austrian fellow who was making the trip with some friends to see the show, so we decided to meet up at a venue called Escape Metal Corner where there would be a show after party the next night. Over the course of several hours we threw back beers, discussed how excited we were for the show, and also our general enthusiasm for this movement; Synthwave/Darkwave was all we could talk about. The fans dedication to this is pretty incredible, evidenced by my travels, as well as this guy’s dedication to the cause by making himself his own custom Perturbator jacket:

Homemade Perturbator Jacket!

“The whole outing felt very ritualistic; we were excited to be part of something special.”

Saturday the 26th: day of show. I go eat things and see things to kill time before I needed to show up. Eventually, I made my way, while listening to (naturally) my Darkwave warmup playlist, walking along the river to the Grelle Forelle venue, situated in an odd corner and pretty hidden from the street. Just finding the venue itself was a mini adventure. Since I was (graciously) granted guest list access and would be hanging with Perturbator, GosT, and Dan T backstage I got there very early, and was lucky enough to watch the setup and initial sound checks. The lighting and sound were pretty fucking killer, couldn’t wait to hear and see this live!

Perturbator warming up

Eventually I spotted Perturbator (James) and introduced myself. He (and everyone I ended up meeting) was extremely pleasant, fun, and all around a very nice guy. He took me backstage and introduced me to the rest of the crew, and we sat down to chat. We decided that we could do some interviews once Perturbator finished his soundcheck. I reassured them that the “boring” interview questions were out of the way, and had even gone out of my way to create some pretty ridiculous questions for laughs; they appreciated this and seemed to be quite tired of the regular old “who are your inspirations questions.” In any case, we had time to kill (a few hours) so we commenced beer drinking and listening to random music. Which led to …

No interview at all! Once we hit a certain threshold, we decided that an interview would be boring and instead, I should just write about hanging out with them, which turned out to be hilarious, incredible, fun, and frankly stupid. Turns out that I had a ton in common with all these guys from our collective love of heavier music, to random similarities in our youth to food choices. We went on a tear listening to some of our favorite nü metal artists like Limp Bizkit and Korn, cheesy indie rock, and hardcore. There was a lot of pseudo-moshing happening in that back room. The whole evening went something like this:

* Drink beers, talk about music

* Drink more beers, talk about music

* Tommy runs downstairs to watch a set

* Tommy runs back upstairs to have a beer and listen to more nu metal and shoot the shit

* Tommy runs back downstairs to see another set

* Essentially repeat the above for 4 hours

Overall, the sets themselves were all epic, high-energy, and full of spontaneity and passion; all of these guys put on an absolute clinic, winning over the crowds and creating an experience that is really hard to describe; it was unlike any show I had ever attended before and left me dizzy for weeks afterwards. It was literally very difficult for me to put into words exactly what these shows were like. I can only hope they can get over to the States more often now as I have now had just a taste and am already craving more. The bar has now been substantially raised for me for live music.

Oh, did I mention there was an after-party? There was indeed an after party. We made our way (Perturbator included) back to the Escape Metal Corner again for some additional DJs spinning Synthwave. Here the dancing and revelry continued with aplomb, as the place was packed with concertgoers and was no less packed when I finally decided to leave around 4:30 a.m. The energy from the concert spilled over into that smaller yet very loud venue, bodies jumping up and down, heads nodding, fists continuing to pump viciously.

Sunday the 27th, I sleep a lot, then spend my last few hours in Vienna by roaming around Zentralfriedhof, an amazing cemetery, with another fellow I had met at the show the night before. This has been a constant theme for me, meeting passionate, fun, nice, friendly people as I start getting more into this music and that’s something I could not say for many other genres I have gotten into. Both the fans and the artists themselves, which seems to really set Synthwave apart; its authenticity and sheer joy that it gives its creators and listeners.

I’ve already booked my next trip to see Carpenter Brut in the Ukraine in September. I am pretty sure that is also going to be insane. I cannot wait.

Prepare yourselves for utter audio CARNAGE!

No news in as to what the album name is going to be called yet. But rest assured that it will knock your block off!!

ENJOY THE ALBUM TEASER AND PREPARE TO BE MINDBLOWN!!!! DANGEROUS DAYS IS SET TO BE RELEASE WORLDWIDE ON JUNE 17TH. AHEM….THAT IS NCXT WEEK!!!