The rest of the songs on the EP do not have the level of minimalism found on these tracks, instead infused with a sad and introspective style of funk. It is not so far removed as to be jarring, and the EP in general flows well.

“Quelle Suprise” is the second vocal track, and is definitely worth a listen.  The balance between bounciness and moodiness found throughout is charming.  It has a heaping of the aforementioned funk sensibility, but with more traditionally synthwave vocals. From a compositional standpoint, it has the best melodies on the entire release. We’re talking Hall & Oates level catchiness. Instrumentally, it has that a lot in common with that era of soul music, but with 80’s inspired bass synths and drums. While not as strange as “Nothing But Thieves” or “Patterns”, it is certainly odd.

The other three songs are good when taken with the EP as a whole, but it is really those three songs that pull me to frequent replays. This may not be some post-apocalyptic robot nonsense, but it is post-singularity neo-sentimentalism, which is a fresher aesthetic in the scene anyway.