Overnight, a grand drama has developed in the synth scene. The darksynth / electro producer CYBERTHING! was scrolling through Spotify to discover new music, when instead discovered the remnants of a digital heist! The alleged thief in this case had not stolen credit card numbers or bitcoin – but rather, music. Darksynth and cyberpunk to be exact – as well as album art.

It looks like the alleged thief manipulated the tracks so the Automatic Content ID system didn’t catch them. Cyberpunk indeed!

But this isn’t just a story of alleged theft – it’s also a story about how the larger synthwave community came together to identify the stolen tracks, notify the artists, and hunt down the perpetrator!

The Find

“I was just looking for new music.  I’m always looking for some new unnamed artists who can do something interesting….

So I found this guy’s ‘album’ and the first track was awesome (of course it was, cause it was Street Cleaner – Vultures) but I didn’t understand it right away, since the track was a little pitched down and sounded a lil different. But the second track was Perturbator lol. So I started to Shazam the tracks and made this Tweet after that.” – CYBERTHING!

The alleged perpetrator of this heist appears to be one “Electromedison.” They may also go by “DO.RE.MI.XX Production Story,” and/or “Cybershot.” It appears many of these albums and tracks have been up under false names for almost a year. 

We reached out to Electromedison for a comment, but at the time of this writing, we have had no response. 

Editors Note: We will not link to these “releases,” and we strongly discourage you from seeking out these releases too, as we do not want to give this alleged thief any money from streaming!

If you are a darksynth/cyberpunk artist and you’re worried your music may have been stolen, the unidentified tracks are listed at the bottom of this article, and most of the albums in question can be found on Electromedison’s Soundcloud, and they do not appear to be monetized there.

The Search Begins

Upon finding these maliciously uploaded tracks, CYBERTHING! spread the word on social media, tagging every artist who’s work he could identify. News spread like wildfire, and soon the fine folks over in Nightride FM’s discord channel had begun the hunt, finding and notifying many of the artists who had their work stolen. Eventually, DEADLIFE compiled and tweeted a list of the stolen tracks and the original artists the awesome Nightride FM community could identify.

Dozens of darksynth and cyberpunk artists and their labels are affected, including:

• Street Cleaner
•  Perturbator
•  MADES
•  Chaos Vector
•  Jack Maniak
•  Anacrhonist
•  Pomidor
•  Hexenkraft
•  Dreddd
•  Tokyo Rose
•  Graveslayer
•  Midnight Danger
•  Irving Force
•  Daniel Deluxe
•  Knightbots
•  Alex
•  Neon Nox
•  Nightcrawler
•  Tonebox
•  Compilerbau
•  Kick Puncher
•  Lazerpunk
•  VHS Glitch
•  Darkshine
•  F.O.O.L
•  Coderpunk
•  Sandman

In fact, it seems every single track from these releases was allegedly stolen, though there are still unidentified tracks.
(See the full list of stolen tracks below.)

It also appears the album art was also stolen, with one of them being identified as Steven Holliday’s Creepshow anniversary poster.

A number of artists also confided in me they believe they have found the original perpetrator, but we will not provide real names here, as we aren’t in the business of witch hunts. However, a friend-of-a-friend reached out to the person in question – and this was his response:

The Mystery Deepens

Haven’t heard of Electromedison? Us either – in fact, no one really has. This “artist” has zero social profiles. In spite of this, the pirated tracks have been spread all around the net: they’re on Spotify, Shazam, Itunes, Amazon, Beatport, TikTok, – you name it.

That’s actually why I’m writing this article – so artists who are affected can find their tracks and be sure to report them on their respective services. I can’t imagine anything worse than losing fans because Shazam took you to an imposter’s tracks.

There’s only one way that so many different platforms could fall prey to this scheme: a music distribution service.

In this case, it seems that the distro service in question is FreshTunes, though there could have been other services involved as well.

We want to give everyone the benefit of the doubt, and to their credit, FreshTunes clearly states in their Terms of Service that copyright-infringing material is not acceptable on their platform – and the content is currently being taken down – so this does seem like the actions of one rogue actor, and not FreshTunes. It has also been less than 24 hours since the initial complaints were made too – that’s a pretty quick turnaround time for takedowns – though the music in question is still available in several places.

We reached out to FreshTunes for a comment, but at the time of this writing, we have had no response.

List of Stolen Darksynth/Cyberpunk Tracks:

Big shout-out to DEADLIFE and the fine detectives of the Nightride FM discord who helped track down many of the stolen tracks below!

Album: Electromedison – Taste of Blood (Album Art: Steven Holliday’s Creepshow anniversary poster.)

• The Laughter Of Fear (Actually Street Cleaner – Vultures)
• M.Z.18 (Actually Perturbator – Neo Tokyo)
• The Smell Of Death (Actually MADES – Awakening (Knightbots Remix)
• Drownedman  Actually (Chaos Vector – Hellhound)
• Taste Of Blood (Actually Jack Maniak – Code 403)
• Rise Of The Machines (Unknown)
• Paranoia (Unknown)
• Alloy (Unknown)
• Dark Task (Unknown)
• Mf Lost (Actually Anachronist – Somnolence)
• Last Sunday (Unknown)

Album: Electromedison – Cyberpunk

• Hunting For A Virus  (Actually Pomidor – Space Lullaby)
• Blackweb (Actually Hexenkraft – A Flame In The Void)
• Brain Error (Actually Dreddd – Omega Beam)
• Overcharge (Unknown)
• Cyberpunk (Actually Graveslayer – Hyper Alloy)
• Timekiller (Actually Tokyo Rose – Armageddon)
• Chasing A Flash Card (Actually Midnight Danger – System Outage)
• Digital Reality (Unknown)
• Infecting All Of Humanity (Unknown)
• Cyberwitchcraft (Actually Irving Force – Overlord (Original Mix)
• Hackers Symphony (Actually Daniel Deluxe – Kindred)

Album: Electromedison – Killer’s Day

• Killers Day(Unknown)
• Murder At A Bus Stop (Actually Daniel Deluxe – Brute Force)
• Wheezing (Actually Alex – Dystopia)
• Strangers Night Call (Actually Neon Nox – Streetwalker)
• Scramble (Actually Tokyo Rose – Armageddon)
• Escape(Unknown)
• A Terrible Dream(Unknown)
• Wrong Turn(Unknown)
• Someone Else’s Script(Unknown)
• Theres A Knife In The Mirror(Unknown)
• Blood With Oxygen(Unknown)
• On The Chain(Unknown)
• Facing My Demons(Unknown)
• Moon Is Hiding(Unknown)

Album: (As Cybershot) – Mechanism Of Action

• No Weapons (Unknown)
• War Z (Actually Nightcrawler – Blood Rage)
• Explosion (Actually Daniel Deluxe – Instruments Of Retribution)
• Fear In The Eyes (Actually Tonebox – Implosion)
• Graveyard Of Cars (Actually Perturbator – Creature)
• Rough (Unknown)
• Mechanism Of Action (Actually Compilerbau – Dark Forces)
• Rise Of The Tomb (Actually Kick Puncher – Red Herring – Night Ritual)
• Werewolf (Actually Lazerpunk – Power / Raydar – The Gathering)
• Cold Night (Actually VHS Glitch – Jaw Breaker)
• Cipher (Actually Darkshine – When Darkness Is Shining)

Album Electromedison – Hacker

• Cyberpunk 2077(Actually Coderpunk – Battle Of Robots (Radio Edit)
• Hacking The System (Actually F.O.O.L – Sahara)
• Hacker  (Unknown)
• Reboot 3 2 1 (Unknown)
• Cyberhunt (Actually Perturbator – Death Squad)
• Ufo (Unknown)
• We Were Declassified (Actually Coderpunk – We Were Declassified (Vinyl Version)
• The Hacker Returns (Actually Sandman – Ignite)

The German based synth machine Compilerbau, aka Rudi Koller, is back with another astounding release entitled “Trickster’s Paradise.”

Koller has been producing music for over two decades, beginning when he was 13. He is known for his attention to minute details and an involved process of creation – bending the technology at his fingertips to achieve his sonic will. According to various interviews, much of that early music sits unreleased on a fabled hard drive – though you can hear some of his earlier works in his “Chronicles” releases.

Because he has been producing for over 20 years, the Compilerbau sound was already very refined when he began widely releasing music under that name around 2013. Each successive release, therefore, has seen not an improvement as you would with many other artists, but rather another side of the same complex, dynamic and well-rehearsed Compilerbau sound. “Trickster’s Paradise” is no different – intricately complex and masterfully mixed and mastered with a heavy emphasis on dynamics over loud, crunched waveforms.

According to social media posts, “Trickster’s Paradise” actually began as one huge project that also included “North Wall,” which was released last year. Koller also explained that he infused “Trickster’s Paradise” with some counterpoint and fugue-like melodies written after his Bach releases. A close listen shows this to be true – the two albums are like different sides of the same coin, albeit one side more dream wave and one side darker and more Baroque.

Because of this fugue-like take,”Trickster’s Paradise” feels more reticent and brooding. Compilerbau has already released some fantastic dark wave – though Koller laments being pigeonholed into that genre – and this release builds amazingly upon those already mastered dark tones with Bach-like trills, arpeggiations and synth rolls so quick they almost become stabs.

Dana Jean Pheonix also makes an appearance on this album in three awesome tracks. Adding her beautiful tones to an already fantastically dark and mysterious release only makes it better. Finally, I asked a physicist friend of mine about the album cover’s equations – and they are, in fact, real waveform equations.

All in all, Compilerbau can put another notch in his belt of stunning releases. This isn’t one you want to miss – especially if you appreciate the darker side of synth!

Top Tracks: “Crazy Business,” “Protorobotics,” “Nomad (feat. Dana Jean Phoenix),” and “Altitude.”
Altitude was actually written in 1998 and the original version, “High on Mountains” can be found in “Chronicals I.”

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